ÉþÉô°ìÀ®¤¬¥¢¡¼¥È¥Ç¥£¥ì¥¯¥·¥ç¥ó¤ò̳¤á¤¿º¢¤Îή¹ÔÄÌ¿®2002ǯ10·î¹æ¡£¼ê½ñ¤Ê¸»ú¤Ê¤É¤Î¼êºî¶È¤ò»æÌ̤˼è¤êÆþ¤ì¤¿¤ê¡¢ºî°ÙŪ¤Ë¥°¥ê¥Ã¥É¤Ê¤·¤Ç¹½À®¤·¤Æ¤ß¤¿¤ê¤È¡¢²£ÈøÃ駤¬¥¢¡¼¥È¥Ç¥£¥ì¥¯¥·¥ç¥ó¤ò¤·¤Æ¤¤¤¿1980ǯÂå°Ê¹ß¡¢¿·Á¯Ì£¤Ë·ç¤±¤Ä¤Ä¤¢¤Ã¤¿¥Õ¥¡¥Ã¥·¥ç¥ó»¨»ï¤ò¡¢Èà¤Î¥Ç¥£¥ì¥¯¥·¥ç¥ó¤Ë¤è¤Ã¤Æ¤â¤¦°ìÅÙÌ¥ÎÏŪ¤Ê¤â¤Î¤ËÀ¸¤Þ¤ìÊѤ¨¤¿¡£»¨»ï¤Î¥Ç¥¶¥¤¥ó¤¬¥³¥ó¥Ô¥å¡¼¥¿¡¼»þÂå¤Ë¤Ê¤Ã¤Æ¡¢ÀöÎý¤µ¤ì¾®åºÎï¤Ê¥Ç¥¶¥¤¥ó¤ËÂФ¹¤ëÈà¤Ê¤ê¤Î²óÅú¡£ÉþÉô¼«¿È¡Ö¥¤¥ó¥Ç¥£¡¼¥º¡¦¥Þ¥¬¥¸¥ó¤Î¤è¤¦¤Ê¤Ä¤¯¤ê¡×¤È½Ò¤Ù¤Æ¤¤¤ë¡£¤Á¤Ê¤ß¤ËÉþÉô°ìÀ®»þÂå¤Ï2002ǯ9·î¹æ(Vol.471)¤«¤é2004ǯ8·î¹æ(Vol.494)¤Þ¤Ç¤Î24ºý¤Ë
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The October 2002 issue of the magazine Ryuko Tsushin when Kazunari Hattori acted as art direction. His fashion magazine, which has been lacking in freshness since the 1980s when Tadanori Yokoo was the art direction, was trying to incorporate handwritten characters and other manual work into the paper, and artificially constructing it without a grid. It was reborn as attractive again by the direction. As magazine design became the computer age, his answer to sophisticated and beautiful design. Hattori himself states that it is "made like an indie magazine." By the way, during the Hattori Kazunari era, there are 25 volumes including the extra issue in 24 volumes from the September 2002 issue (Vol.471) to the August 2004 issue (Vol.494).
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