¼Ì¿¿²È¡¦¿¢ÅÄÀµ¼£(1913-2000)¤Ï¶¿Î¤¡¦Ä»¼è¤ò°¦¤·¡¢»³±¢ÃÏÊý°Ê³°¤Ç¼Ì¿¿¤ò»£¤Ã¤¿¤³¤È¤Ï¤Ê¤¤¤È»×¤Ã¤Æ¤¤¤¿¤¬¡¢¼Â¤Ï¤½¤¦¤Ç¤Ï¤Ê¤«¤Ã¤¿¡£Ëܽñ¤Ï¿ô¾¯¤Ê¤¤¤È¤¤¤¦¤«Í£°ì¤Ê¤Î¤Ç¤Ï¤Ê¤¤¤À¤í¤¦¤«¡¢¥è¡¼¥í¥Ã¥Ñ¤òι¹Ô¤·¤¿ºÝ¤Î¼Ì¿¿¤¬¤Õ¤ó¤À¤ó¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ë¡£»£±ÆÃϤϥ¹¥Ú¥¤¥ó¤Î¥È¥ì¥É¡¢¥Ð¥ë¥»¥í¥Ê¡¢¥Þ¥É¥ê¡¼¥É¡¢¥¤¥¿¥ê¥¢¤Î¥Ô¥µ¡¢¥í¡¼¥Þ¡¢¥ß¥é¥Î¡¢¥Õ¥£¥ì¥ó¥Ä¥§¡¢¥Õ¥é¥ó¥¹¤Î¥Ñ¥ê¡¢¥·¥ã¥â¥Ë¡¼¡¢¥¹¥¤¥¹¤Î¥¸¥å¥Í¡¼¥ô¡¢¥¤¥®¥ê¥¹¡¦¥í¥ó¥É¥ó¡¢¥³¥Ú¥ó¥Ï¡¼¥²¥ó¡¢¥¢¥é¥¹¥«½£¥¢¥ó¥«¥ì¥Ã¥¸¤È¡¢¥¿¥¤¥È¥ë¤Î¾®Î¹¹Ô¤È¤Ï¸Æ¤Ù¤Ê¤¤¤Û¤É¡¢Ë¬¤ì¤¿¾ì½ê¤Ï¶Ã¤¯¤Û¤É¹ÈϰϤǤ¢¤ë¡£Ãʥܡ¼¥ë¤Î¥¹¥ê¥Ã¥×¥±¡¼¥¹¤Ë´¬¤¹þ¤à¤è¤¦¤ËÁ´ÂΤò¥«¥Ð¡¼¤Ç¥³¡¼¥Æ¥£¥ó¥°¤·¡¢²£Ä¹¤ÎȽ·¿¤ËÂФ·¤ÆÅ·ÃϤ«¤éËÜÂΤò¼è¤ê½Ð¤¹¹½Â¤¤Ë¡¢±¦³«¤¡¢º¸³«¤¤Î¤É¤Á¤é¤«¤é¤Ç¤â´Õ¾Þ¤Ç¤¤ë¥ì¥¤¥¢¥¦¥È¡¢ËÜʸ¤«¤é¥«¥Ð¡¼¸«ÊÖ¤·¤Þ¤Ç¼Ì¿¿¤¬Â³¤¯¥¢¥¤¥Ç¥¢¤Ê¤É¡¢Â¤ËܤδÑÅÀ¤«¤é¸«¤Æ¤âÌÌÇò¤¤¡£¥Ö¥Ã¥¯¥Ç¥¶¥¤¥ó¤ÏĹͧ·¼Åµ(1939-2017)¤È¹õÅÄÀ¬ÂÀϺ¤¬ÀßΩ¤·¤¿K2¤«¤éÆÈΩ¤·¤¿¥Ç¥¶¥¤¥Ê¡¼¡¢ÅÚ²°Ä¾µ×¤¬¼ê¤¬¤±¤Æ¤¤¤ë¡£¼Ì¿¿¤Î´Ö¤ò·Ò¤°ËÙÆâÀ¿°ì(1932-1987)¥¨¥Ã¥»¥¤¤Î¤Ê¤«¤Ê¤«ÆÉ¤ß±þ¤¨¤¬¤¢¤ë¡£
Photographer Shoji Ueda (1913-2000) loved his hometown of Tottori and thought he never took photos outside the San'in region, but in fact this was not the case. This book is one of the few, or perhaps the only, book that contains a wealth of photos taken during his travels in Europe. The locations photographed were Toledo, Barcelona, and Madrid in Spain; Pisa, Rome, Milan, and Florence in Italy; Paris and Chamonix in France; Geneva in Switzerland; London and Copenhagen in the UK; and Anchorage, Alaska. The number of places visited is so wide that it cannot be called a short trip, as the title suggests. The book is interesting from the perspective of bookbinding, with the entire book coated with a cover so that it is wrapped around a cardboard slipcase, the main body is removed from the top and bottom of the book despite its landscape format, the layout can be viewed from either the right or left, and the idea of the photos continuing from the main text to the cover and endpapers. The book design was done by designer Naohisa Tsuchiya, who became independent from K2, which was founded by Keisuke Nagatomo (1939-2017) and Seitaro Kuroda. The essay by Seiichi Horiuchi(1932-1987) which connects the photographs is a very interesting read.
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