POSTMINIMALISM Robert Pincus-Witten ¥Ý¥¹¥È¡¦¥ß¥Ë¥Þ¥ê¥º¥à ¥í¥Ð¡¼¥È¡¦¥Ô¥ó¥«¥¹=¥¦¥£¥Ã¥Æ¥ó
¥¢¥á¥ê¥«¤ÎÈþ½ÑÈãɾ²È¡¢Èþ½Ñ»Ë²È¡¢¥í¥Ð¡¼¥È¡¦¥Ô¥ó¥«¥¹=¥¦¥£¥Ã¥Æ¥ó¤ÎÃøºî¡£Âåɽºî¥Ý¥¹¥È¡¦¥ß¥Ë¥Þ¥ê¥º¥à¤Ë´Ø¤¹¤ëÏÀ¹Í¡£
Ìܼ¡
Illustrations
Introduction
PICTORIAL/SCULPTURAL
Richard Serra: Slow Information
Keith Sonnier: Materials and Pictorialism
Eva Hesse: More Light on the Transition from Post-Minimalism to the Sublime
The Art of Richard Tuttle
Bruce Nauman: Another Kind of Reasoning
Rosenquist and Samaras: The Obsessive Image and Post-Minimalism
EPISTEMOLOGY
Bochner at MoMA: Three Ideas and Seven Procedures
Sol LeWitt: Word ¢«¢ª Object
Mel Bochner: The Constant as Variable
Barry Le Va: The Invisibility of Content
Jackie Ferrara: The Feathery Elevator
ONTOLOGY
Vito Acconci and the Conceptual Performance
Lynda Benglis: The Frozen Gesture
Benglis' Video: Medium to Media
James Collins: The Erotic and the Didactic
Scott Burton: Conceptual Performance as Sculpture
Theater of the Conceptual: Autobiography and Myth
ɽ»æ¥¤¥é¥¹¥È=Giulio Paolini
½ÐÈÇ¼Ò publisher¡§OUT OF LONDON PRESS
´©¹Ôǯ year¡§1977
¥Ú¡¼¥¸¿ô pages¡§198
¥µ¥¤¥º size¡§H222¡ßW152mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥½¥Õ¥È¥«¥Ð¡¼/softcover
¸À¸ì language¡§±Ñʸ/English
ÉÕ°ÉÊ attachment¡§
¾õÂÖ condition¡§Èâ¤ÈÍ·¤Ó»æ·ç¡£É½»æ½ý¤ß¡£/no flyleaf, damaged on the cover.