PHOTOGRAPHY AFTER FRANK Philip Gefter フィリップ・ジェフター

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CONTENTS
INTRODUCTION
THE DOCUMENT
Why MoMA I Giving Its Largest Solo Photography Exhibition Ever to Lee Friedlander
Travels with Walker, Robert, and Andy On Stephen Shore
Southern Exposures: Past and Present Through the Lens of William Christenberry
John Szarkowski, Curator of Photography, Dies at Eighty-one
The Imagist's Eye on Henry Wessel
Beauty Is Not a Four-letter Word On Richard Misrach
The Tableau Inside Your Town Hall On Paul Shambroom
Bernd Becher, Seventy-five, Photographer of German Industrial Landscape, Dies
Keeping It Real: Photo-Realism
Portraits of American Paradises, Mostly Lost On Joel Sternfeld
Keeping His Eye on the Horizon (Line) On Sze Tsung Leong
THE STAGED DOCUMENT
Photographic Icons: Fact, Fiction, or Metaphor?
The Picnic That Never Was On Beate Gutschow
As Unpretty as a Picture On Eric Fischl
Moments in Time, Yet Somehow in Motion On JoAnn Verburg
Robert Polidori: In the Studio
A Young Man With an Eye, and Friends Up a Tree On Ryan McGinley
PLATES
PHOTOJOURNALISM
Page One: A Conversation with Philip Gefter, Picture Editor of the New York Times' Front Page by VERONIQUE VIENNE
History's First Draft Looks Much Better With Pictures
Reflections of New York's Luckiest: Look Magazine
Reading Newspaper Pictures: A Thousand Words, and Then Some
Cornell Capa, Photojournalist and Museum Founder, Dies at Ninety
THE PORTRAIT
Defining Beauty Through Avedon
Self-portrait as Obscure Object of Desire On Jack Pierson
Is That Portrait Staring at Me? On Fiona Tan
A Pantheon of Arts and Letters in Light and Shadow On Irving Penn
A Photographer's Lie On Annie Leibovitz
Embalming the American Dreamer On Katy Grannan
THE COLLECTION
What Eighty-five Hundred Pictures Are Worth
The Man Who Made Mapplethorpe: A Film About Sam Wagstaff
The Avedon Eye, Trained on Faces Captured By Others
Photography Reveals Itself Between Covers
Culture in Context: Photographs in Vince Aletti's Magazine Collection
For Photography, Extreme Home Makeover
THE MARKETPLACE
The Theater of the Street, the Subject of the Photograph On Philip-Lorca diCorcia
Why Photography Has Supersized Itself
A Thousand Words? How About $450,000?
From a Studio in Arkansas, a Portrait of America On Mike Disfarmer
What's New in Photography: Anything but Photos
ACKNOWLEDGMENTS
INDEX
REPRODUCTION CREDITS

編集=Philip Gefter

出版社 publisher:aperture foundation
刊行年 year:2009
ページ数 pages:223
サイズ size:H220×W160mm
フォーマット format:ソフトカバー/softcover
言語 language:英文/English
付属品 attachment:
状態 condition:特に問題なく良好です。/very good.