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A masterpiece of Ken Domon (1909-1990), who advocated absolute non-directed snapshots and led postwar realism photography. A collection of photographs facing Hiroshima 13 years after the atomic bomb was dropped, it captures vivid photographs of the victims of the atomic bomb, such as their daily lives and the painful surgery. It is positioned as a work that embodies the realism photography that Domon idealized. The illustrations for the covers and doors are by the painter Shigejiro Sano. Signed.
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