1962ǯ¤ËÀÄ»³Áð·î²ñ´Û¤Ç¹Ô¤ï¤ì¤¿¼Ì¿¿²È¡¦À¾µÜÀµÌÀ¤ÎŸ¼¨¥«¥¿¥í¥°¡£±Ç²è¡¢TV¡¢¥¹¥é¥¤¥É¤Î3¼ï¤Î¥á¥«¥Ë¥º¥à¤òÍѤ¤¤ÆÆ±¤¸¾ì½ê¤ÇƱ°ì¤Î±ÇÁü¤ò»£±Æ¤·¡¢Âоݤ¬¡Öư¤¯±ÇÁü¡×¤È¡Öư¤«¤Ì±ÇÁü¡×¤É¤Á¤é¤¬¤è¤êŬ¤·¤Æ¤¤¤ë¤Î¤«¤ò·èÄꤷ¤è¤¦¤È¤¹¤ë¼Â¸³Åª¤ÊŸ¼¨²ñ¡£ºÇ½ªÅª¤Ë¤Ï¤½¤ÎξÊý¤ò·ë¹ç¤µ¤»¡¢±ÇÁü¤ÎΩÂΤؤΥ¢¥×¥í¡¼¥Á¤â»î¤ß¤Æ¤¤¤ë¡£ºîÉÊ¡ÖMAG 67¡×¤Ç¤Ï<ư¤¯»¨»ï>¤òVTR¤Î¾®·¿²½¤ò»ÈÍѤ·¤ÆÄ󰯤·¡¢¡Ö»¨»ï¤Ïư¤¯¤Ù¤¤Ç¤¢¤ë¡ª¡×¤È¤Ï¤Ã¤¤ê¤ÈÃǸÀ¤·¤¿¤ê¤·¤Æ¤¤¤ë¤Ê¤É¡¢ºî¼Ô¤Î±ÇÁü¤ËÂФ¹¤ëµ¿¤¤¤È´üÂÔ¤¬¶¯¤¯´¶¤¸¤é¤ì¤ëÎϤΤ³¤â¤Ã¤¿¥«¥¿¥í¥°¡£
Exhibition catalog of photographer Masaaki Nishimiya held at Aoyama Sogetsu Hall in 1962. An experimental exhibition that shoots the same image in the same place using three mechanisms: film, TV, and slides, and tries to determine which is more suitable for the subject, ``moving image'' or ``non-moving image''. meeting. Ultimately, I am trying to combine both and approach the stereoscopic image. In the work "MAG 67", he proposed a using a miniaturized VTR, and clearly asserted that "magazines should move!" A powerful catalog that you can feel strongly.
½ÐÈÇ¼Ò publisher¡§Self Published
´©¹Ôǯ year¡§1962
¥Ú¡¼¥¸¿ô pages¡§3 plates
¥µ¥¤¥º size¡§H329¡ßW329mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§ÌµÄÖ¤¸ËÜÆó¤ÄÀÞ¤ê/unbound
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