1982ǯ¤Ë½ÐÈǤµ¤ì¤¿¥³¥à¥Ç¥®¥ã¥ë¥½¥óȯ¹Ô¤Î½é¤á¤Æ¤È¤Ê¤ëËܳÊŪ¤Ê¼Ì¿¿½¸¡£1975ǯ¤«¤é¤Û¤Ü1¥ö·î¤Ë°ìÅ٤Υڡ¼¥¹¤Ç´©¹Ô¤µ¤ì¤Æ¤¤¤¿¥ë¥Ã¥¯¥Ö¥Ã¥¯¤«¤é¸·Áª¤µ¤ì¤Æ¤¤¤ë¡£µ¯ÍѤµ¤ì¤¿¼Ì¿¿²È¤ÏÅö½é¤ÏÏÂÀôÈË¡¢ºÙ뽨¼ù¡¢ÀÆÆ£Ð¶¡¢ÂôÅϺó¡¢Áà¾åÏÂÈþ¡¢µ×α¹¬»Ò¡¢¾®ÊëŰ¡¢Æ£°æ±ÑÃË¡¢µÈÅÄÂçÊþ¡¢ÊÒÞ¼Âó»Ê¤È¤¤¤Ã¤¿ÆüËܿͼ̿¿²È¤À¤Ã¤¿¤¬¡¢¤Î¤Á¤Ë¥µ¥é¡¦¥à¡¼¥ó(Sarah Moon)¡¢¥Ç¥Ü¥é¡¦¥¿¡¼¥Ð¥ô¥£¥ë(Deborah Turbeville)¡¢¥Ô¡¼¥¿¡¼¡¦¥ê¥ó¥É¥Ð¡¼¥°(Peter Lindbergh)¡¢¥Ö¥ë¡¼¥¹¡¦¥¦¥§¡¼¥Ð¡¼(Bruce Weber)¡¢¥¢¡¼¥µ¡¼¡¦¥¨¥ë¥´¡¼¥È(Arthur Elgort)¤È¤¤¤Ã¤¿³°¹ñ¿Í¼Ì¿¿²È¤òµ¯ÍѤ·¤Æ¤¤¤¯¡£¥ê¥ó¥É¥Ð¡¼¥°»£±Æ¤Î·ê¤¢¤¥Ë¥Ã¥È¤Ï¥Ñ¥ê¥³¥ì¥¯¥·¥ç¥ó¤ÇʪµÄ¤ò¾ú¤·¤¿½é´ü¤ÎÂåɽºî¤Ç¤â¤¢¤ë¡£Â¤ËܤϽé´ü¥³¥à¥Ç¥®¥ã¥ë¥½¥ó¤Î³èư¤ò¥°¥é¥Õ¥£¥Ã¥¯¥Ç¥¶¥¤¥ó¤ÎÎΰè¤Ç»Ù¤¨¤¿¥¢¡¼¥È¥Ç¥£¥ì¥¯¥¿¡¼Â¼ÅÄÅì¼£(1942-1986)¤¬¼ê¤¬¤±¤Æ¤¤¤ë¡£
This was the first full-scale photo book published by Comme des Garcons in 1982. It was carefully selected from the lookbooks that had been published roughly once a month since 1975. The photographers employed were initially Japanese photographers such as Shigeru Izumi, Hideki Hosoya, Koo Saito, Hajime Sawatari, Kazumi Kurigami, Sachiko Kuru, Tohru Kogure, Hideo Fujii, Daiho Yoshida, and Takuji Katabuchi, but later foreign photographers such as Sarah Moon, Deborah Turbeville, Peter Lindbergh, Bruce Weber, and Arthur Elgort were employed. The holey knitwear photographed by Lindbergh is one of the early representative works that caused controversy at the Paris Collection. Designed by art director Tohji Murata (1942-1986) who supported Comme des Garcons early activities in the field of graphic design.
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