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For about two and a half years, from 1974 to 1976, Mao Ishikawa took photographs while working at a club for foreigners in a military base town in Okinawa. Some time later, in the summer of 1988, when she visited the town for the first time in a long time, she saw Filipino migrant girls walking around with American soldiers. From there, Ishikawa turned his focus to the Filipino girls he had befriended at the bar, and was invited to their daily lives and a trip to her hometown, the Philippines. These are typical photographs of a photographer who jumps into things with momentum rather than reason. A signed copy dedicated to a certain photographer.
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½ÐÈÇ¼Ò publisher¡§self published
´©¹Ôǯ year¡§1989
¥Ú¡¼¥¸¿ô pages¡§
¥µ¥¤¥º size¡§H209¡ßW297mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥½¥Õ¥È¥«¥Ð¡¼/softcover
¸À¸ì language¡§ÏÂʸ/Japanese
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¾õÂÖ condition¡§·ÐǯʤߤǤ¹¡£¸¥Ä襵¥¤¥ó¤¢¤ê¡£/good, dedication signature.