À¸Á°¡¢Å¸Í÷²ñ´ë²è¤äÊÔ½¸¤Ê¤É¤ò¼ê¤¬¤±¤ëGlyph.¤ÎÁ϶ȼԤǤ¢¤ê¡¢µ©Âå¤Î¥¢¡¼¥¥ô¥£¥¹¥ÈÌøËܹÀ»Ô(1969-2016)»á¤¬Ä¹Ç¯¤Ë¤ï¤¿¤Ã¤Æ¼ý½¸¤·¤¿¥³¥ì¥¯¥·¥ç¥ó¤ÎÂèÆóÃÆ¡£À¤³¦¤Î¹Ò¶õ²ñ¼Ò¤Ç¼ÂºÝ¤Ë»ÈÍѤµ¤ì¤Æ¤¤¤¿¥Á¥±¥Ã¥È¤ÎÉõÅû¡¢¹Ò¶õ·ô¡¢Åë¾è·ô(¥Ü¡¼¥Ç¥£¥ó¥°¥Ñ¥¹)¡¢²Ùʪ¥¿¥°¡¢¥¹¥Æ¥Ã¥«¡¼¡¢¥¤¥ó¥Õ¥©¡¼¥á¡¼¥·¥ç¥ó¡¢¥á¥Ë¥å¡¼¤Þ¤Ç¤¢¤é¤æ¤ë°õºþʪ¤ò¥°¥é¥Õ¥£¥Ã¥¯¥Ç¥¶¥¤¥ó¤Î´ÑÅÀ¤Ç¤Þ¤È¤á¤¿°ìºý¡£
This is the second in a series of collections that Koichi Yanagimoto (1969-2016), the founder of Glyph., an unrivaled archivist who was involved in exhibition planning and editing during his lifetime, has been collecting over the years. This book compiles all kinds of printed materials from the perspective of graphic design, including ticket envelopes, airline tickets, boarding passes, luggage tags, stickers, information, and menus that were actually used by airlines around the world.
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½ÐÈÇ¼Ò publisher¡§¥°¥ê¥Õ/Glyph.
´©¹Ôǯ year¡§2004
¥Ú¡¼¥¸¿ô pages¡§195
¥µ¥¤¥º size¡§H210¡ßW105mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥½¥Õ¥È¥«¥Ð¡¼/softcover
¸À¸ì language¡§ÏÂʸ/Japanese
ÉÕ°ÉÊ attachment¡§ÂÓ¡¢¤·¤ª¤ê/wraparound band, bookmark
¾õÂÖ condition¡§·ÐǯʤߤǤ¹¡£/good.