ÆüËܤμ̿¿óÕÌÀ´ü¤ò¸ì¤ë¾å¤Ç³°¤¹¤³¤È¤Ï¤Ç¤¤Ê¤¤¼Ì¿¿»Õ¡¢¼Ì¿¿½ÐÈǼԡ¢¾®Àî°ì¿¿(1860-1929)¤Î¼Ì¿¿Ä¡¡£ÌÀ¼£»þÂå¤ÎÆüËܤÎÉ÷·Ê¤ò¡¢¥ª¥×¥Æ¥£¥ß¥¹¥Æ¥£¥Ã¥¯(³Ú´ÑŪ¤ÊÀÖ»å)¤È¥Ú¥·¥ß¥¹¥Æ¥£¥Ã¥¯(Èá´ÑŪ¤Ê»ç»å)¤ÎÆó¤Ä¤Î¥Ð¡¼¥¸¥ç¥ó¤Ë¤è¤Ã¤ÆÄÖ¤¸¤Þ¤È¤á¤Æ¤¤¤ë¡£°õºþ¤Ï¾®Àî¤ÎÀìÇäÆÃµö¤Ç¤â¤¢¤ë¥³¥í¥¿¥¤¥×¤Ë¤è¤ëÀººÙ¤Ê¼Ì¿¿¡£Î¢É½»æ¤ËÇÛ¤µ¤ì¤¿³Ú´Ñ¤ÈÈá´Ñ¤Î´é¤¬Í·¤Ó¿´¤¬¤¢¤Ã¤ÆÌÌÇò¤¤¡£
This photo album by Kazuma(Kazumasa/Isshin) Ogawa (1860-1929), a photographer and publisher indispensable to any discussion of the early days of photography in Japan, compiles landscapes of Meiji-era Japan in two versions: an optimistic version (with red thread) and a pessimistic version (with purple thread). The prints are finely detailed, using Ogawa's signature collotype printing technique. The optimistic and pessimistic faces on the back cover are playful and amusing.
±¤Ê¸¡§William Tod Helmuth
¥Í¥¬¥Æ¥£¥ô¡§O.A. & O.M. POOLE
¥³¥í¥¿¥¤¥×¡§¾®Àî°ì¿¿
½ÐÈÇ¼Ò publisher¡§KELLY & WALSH, LIMITED.
´©¹Ôǯ year¡§Around 1900
¥Ú¡¼¥¸¿ô pages¡§
¥µ¥¤¥º size¡§H111¡ßW153mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§ÃæÄÖ¤¸/saddle stitch
¸À¸ì language¡§±Ñʸ/English
ÉÕ°ÉÊ attachment¡§
¾õÂÖ condition¡§É½»æ¡¢ËÜʸ¾¯±ø¤ì¡£ÈâµÌ¾¤¢¤ê¡£/slightly damaged on the cover and the body, The previous owner's name is written on the title page.