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William Kentridge, one of the most powerful figures in the contemporary art world, began his career as an artist under South Africa's apartheid regime. Drawing upon the violence and absurdity of his country's history, his work explores the connections between art, ideology, history, and memory. This book serves as both a publication and a guide to *I am not me, the horse is not mine*, an eight-channel video work by Kentridge originally released in 2008 with the support of the Goodman Gallery in South Africa. It is considered one of his most ambitious and significant video works. Developed from research for a production of the opera *The Nose*—composed by Dmitri Shostakovich (1906–1975) in 1928—the piece combines stop-motion animation, live-action footage, archival material, and a soundtrack by the renowned South African composer Philip Miller. It premiered as a large-scale, eight-screen video installation at the 2008 Biennale of Sydney.
¥¨¥Ã¥»¥¤¡§William Kentridge, Philip Miller, Sue Pam-Grant
¼Ì¿¿¡§John Hodgkiss
¥Ç¥¶¥¤¥ó¡§Ellen Papciak-Rose
½ÐÈÇ¼Ò publisher¡§Goodman Gallery
´©¹Ôǯ year¡§2008
¥Ú¡¼¥¸¿ô pages¡§79
¥µ¥¤¥º size¡§H235¡ßW205mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥Ï¡¼¥É¥«¥Ð¡¼/hardcover
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