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Mo-Yi is one of the rarest photographers in China who started his self-taught career as a photographer. In the 1980s, he used a telephoto lens to "sweep" the city and develop self-expression while exploring the truth of photography. It is different from the traditional Chinese documentary photography "Kimi Photo", which started with the purpose of denying photographs for politics and trying to convey the truth of society, and while taking the city and people as subjects, the movement of one's heart. The style that expressed was an unprecedented work in the Chinese photography world at that time.
This book is a photo book published by Zen Foto Gallery in 2016 "
Mo Yi 1983-89 span> " and consists of works produced from the 1990s to the 2000s that were not recorded in the previous work. Five series "Red Landscape (Red Landscape)", "Red Electric Utility Pole (Red Utility Pole)", "Red Flash Light-I'm One Ship" (Red Flash-I), five series shot using a flash with a red filter. Is a dog) ¡É,¡È Takako-like Red Ryoko-Running Beijing (Takako's red skirt-walking in Beijing) ¡É,¡È Ari-Kou Flash Flash Rakuri-Kou-Dejun Restaurant Wasai Team Fang Fortress (Red Flash Flash) Lorient-German Base and Spanish Fortress) ¡Éis put together in one book, and the whole photo book is full of vivid and various" reds ". At this time, Mouki was the most depressed and rebellious period, and it was also the time when he moved away from traditional photography and created new techniques and new methods. These red flashes, derived from the struggling process, brilliantly bear the visualization of his emotional expression.
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