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Kunie Sugiura traveled to the United States alone at the age of 20 in 1963 and met photography at the Chicago Art Institute. In an era when few students majored in photography at the time, she quickly focused on the possibilities of photography as an expression and created her work using experimental methods. From her earliest days, she sought out forms of expression that emphasized her production process, such as the use of image distortion effects with fisheye lenses, portrait and landscape montages, solarization, and the combination of monochrome and color negatives. After she moved her base to New York in 1967, she has made serious trials and errors in attempts to break the traditions and conventions of photography. This book is a series derived from the photogram method that started in 1980. With the motif of a life-sized human being, photographic paper that had been placed on the floor until then was pasted on the wall, and a person stood in front of it and strobe-irradiated. There is. Artists such as Ushio Shinohara and Jasper Johns and scientists such as James D. Watson are the subjects of the work, along with items that symbolize them.
¥¨¥Ã¥»¥¤¡§Vicki Goldberg
½ÐÈÇ¼Ò publisher¡§Nazraeli Press LLC
´©¹Ôǯ year¡§2007
¥Ú¡¼¥¸¿ô pages¡§
¥µ¥¤¥º size¡§H362¡ßW287mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥Ï¡¼¥É¥«¥Ð¡¼/hardcover
¸À¸ì language¡§±Ñʸ/English
ÉÕ°ÉÊ attachment¡§¥«¥Ð¡¼/dust jacket
¾õÂÖ condition¡§·ÐǯʤߤǤ¹¡£/good.