¹ñ¤ä´ë¶È¤«¤é¤Î»Ù±ç¤ò¼õ¤±¤º¤ËÉÔÄê´ü´©¹Ô¤µ¤ì¤Æ¤¤¤ë´Ú¹ñȯ¤Î¥°¥é¥Õ¥£¥Ã¥¯&¥¯¥ê¥¨¥¤¥Æ¥£¥Ö»¨»ï¡ØGRAPHIC¡Ù¡£Âè11¹æ¤Ç¤Ï¡¢²áµî»°Ç¯´Ö¤ËÀ¤³¦³ÆÃϤdz«ºÅ¤µ¤ì¤¿¥Ç¥¶¥¤¥ó¤Ë´Ø¤¹¤ëŸÍ÷²ñ¤ÎÃæ¤«¤é¡¢¤è¤ê¥³¥ó¥»¥×¥Á¥å¥¢¥ë¤Ç¥Ç¥¶¥¤¥ó¤ÎÄêµÁ¤òƶ»¡¤Ç¤¤ëŸÍ÷²ñ¤ò¥Ô¥Ã¥¯¥¢¥Ã¥×¤·¡¢»æÌ̾å¤ËºÆ¸½¤·¤Æ¤¤¤ë¡£¤½¤·¤ÆÅö»þ¤ÎŸÍ÷²ñ¤Î¥¥å¥ì¡¼¥¿¡¼¤¿¤Á¤È¤âÏ¢Íí¤ò¼è¤ê¥¤¥ó¥¿¥Ó¥å¡¼¤â·ÇºÜ¡£Å¸Í÷²ñ¤ËÂФ¹¤ë»ëÅÀ¤äʸ²½¤Î°ã¤¤¤Ï¤¢¤Ã¤¿¤È¤·¤Æ¤â¡¢Åö»þ¤ÎºÇ¿·¤Î¥Ç¥¶¥¤¥óŸ¤Îή¤ì¤òÃΤë¥Ù¥¹¥È12¤Ç¤¢¤ë¤³¤È¤Ï´Ö°ã¤¤¤Ê¤¤¡£
GRAPHIC is a graphic and creative magazine from South Korea that is published irregularly without receiving support from the government or corporations. In issue 11, we select exhibitions that offer more conceptual insight into the definition of design from among the design exhibitions held around the world over the past three years, and reproduce them on paper. We also contacted the curators of the exhibition at the time and included interviews. Even though there may be differences in perspective and culture regarding exhibitions, there is no doubt that these are the best 12 to learn about the flow of the latest design exhibitions at the time.
ȯ¹Ô¿Í&ÊÔ½¸¡§Kim Kwangchul
¥¢¡¼¥È¥Ç¥£¥ì¥¯¥·¥ç¥ó&¥Ç¥¶¥¤¥ó¡§Na Kim
½ÐÈÇ¼Ò publisher¡§propaganda press
´©¹Ôǯ year¡§2009
¥Ú¡¼¥¸¿ô pages¡§176
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