¥Ë¥å¡¼¥è¡¼¥¯¶áÂåÈþ½Ñ´Û¼Ì¿¿ÉôÌç¤Î¥Ç¥£¥ì¥¯¥¿¡¼¡¢¥¸¥ç¥ó¡¦¥·¥ã¡¼¥«¥Õ¥¹¥¡¼(John Szarkowski 1925-2007)¤¬Ãø¤·¤¿Ëܽñ¤Ï¡¢¤Þ¤µ¤Ë20À¤µª¤Î¸Åŵ¤Ç¤¢¤ê¡¢¼Ì¿¿¤Î»ë³Ð¸À¸ì¤ò³Ø¤ÖɬÍ×ÉԲķç¤ÊÆþÌç½ñ¤Ç¤¢¤ë¡£1964ǯ¤Ë¥Ë¥å¡¼¥è¡¼¥¯¶áÂåÈþ½Ñ´Û¤Ç³«ºÅ¤µ¤ì¤¿²è´üŪ¤ÊŸÍ÷²ñ¤Ë¹ç¤ï¤»¤ÆÀ©ºî¤µ¤ì¤¿¡£¥¢¥ó¥ê¡¦¥«¥ë¥Æ¥£¥¨=¥Ö¥ì¥Ã¥½¥ó(Henri Cartier-Bresson)¡¢¥¦¥©¡¼¥«¡¼¡¦¥¨¥ô¥¡¥ó¥¹(Walker Evans)¡¢¥¨¥É¥ï¡¼¥É¡¦¥¹¥¿¥¤¥±¥ó(Edward Weston)¡¢¥Ý¡¼¥ë¡¦¥¹¥È¥é¥ó¥É(Paul Strand)¡¢¥¨¥É¥ï¡¼¥É¡¦¥¦¥§¥¹¥È¥ó(Edward Weston)¤Ê¤É¤Î¼Ì¿¿²È¤Îµð¾¢¤Ë¤è¤ëÃøÌ¾¤ÊºîÉʤȡ¢¸½ÃϤλñÎÁ¤ä¥¢¥Þ¥Á¥å¥¢¤Î¥¹¥Ê¥Ã¥×¥·¥ç¥Ã¥È¤ÈÊÂÃÖ¤·¡¢¤¹¤Ù¤Æ¤Î¼Ì¿¿²È¤¬Ä¾Ì̤·¤Æ¤¤¿º¬ËÜŪ¤Ê²ÝÂê¤òʬÀϤ·¤Æ¤¤¤ë¡£¥·¥ã¡¼¥«¥Õ¥¹¥¡¼¤Ï 1962ǯ¤«¤é1991ǯ¤Þ¤ÇƱ´Û¤ÇƯ¤¤¤¿ÅÁÀâŪ¤Ê³Ø·Ý°÷¤Ç¡¢À¸Á°Â¿¤¯¤Î±Æ¶ÁÎϤΤ¢¤ëËܤò½ÐÈǤ·¤Æ¤¤¤ë¡£2007ǯ¤ËÉü¹ïÈǤȤ·¤ÆºÆÅÙ½ÐÈǤµ¤ì¤¿¤¬¡¢Ëܽñ¤Ï1966ǯ¤Î½éÈǤǤ¢¤ê¡¢¥°¥é¥Ó¥¢°õºþ¤Î¤·¤Ã¤È¤ê¤È¤·¤¿¼Ì¿¿¿ÞÈǤǴѤé¤ì¤ë¤Î¤â¤³¤ÎÈǤʤé¤Ç¤Ï¤À¤È¸À¤¨¤ë¡£
Written by John Szarkowski (1925-2007), director of the photography department at the Museum of Modern Art in New York, this book is a true 20th century classic and an essential introduction to the visual language of photography. It was created in conjunction with a landmark exhibition held at the Museum of Modern Art in New York in 1964. By master photographers such as Henri Cartier-Bresson, Walker Evans, Edward Weston, Paul Strand, and Edward Weston. It juxtaposes famous works with local documents and amateur snapshots to analyze the fundamental challenges that all photographers have faced. Szarkowski was a legendary curator who worked at the museum from 1962 to 1991 and published many influential books during his lifetime. Although it was republished as a reprint in 2007, this book was first published in 1966, and it can be said that it is unique to this edition that it can be viewed with moist photo illustrations printed with gravure.
¥Ç¥¶¥¤¥ó¡§Joseph Bourke Del Valle
½ÐÈÇ¼Ò publisher¡§The Museum of Modern Art, New York
´©¹Ôǯ year¡§1966
¥Ú¡¼¥¸¿ô pages¡§155
¥µ¥¤¥º size¡§H227¡ßW216mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥½¥Õ¥È¥«¥Ð¡¼/softcover
¸À¸ì language¡§±Ñʸ/English
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