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The third issue of the photo magazine "Provoke", which was launched in 1968 with Takuma Nakahira, Yutaka Takanashi, Koji Taki, and Takahiko Okada. From the beginning, it has been considered a doujinshi aimed at a limited group of readers who share specific interests, rather than a magazine aimed at general readers. By taking grainy, out-of-focus urban landscape photographs, I try to eliminate as much of the information and documentary elements that accompany the photographs as possible, especially descriptive elements, in an attempt to bring out the purity of the images themselves. ing. The so-called "are-bre-boke" visual feature led Provoke artists to create a new aesthetic of photographic expression. The third issue had the most voluminous content of all the publications, but this was the last issue to be discontinued. In 1970, after publishing "First Abandon the World of Pseudo-Certainty" which could be considered the last message from the Provoke coterie, individual photographers dispersed to their own activities.
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¥Ú¡¼¥¸¿ô pages¡§110
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