Åö»þÈô¤ÖÄ»¤òÍî¤È¤¹Àª¤¤¤ÇÇä¤ì¤Æ¤¤¤¿¼Ì¿¿»¨»ï¡Ø¼Ì¿¿»þÂå¡Ù¤«¤éÇÉÀ¸¤·¤¿Â¾¼Ò´©¹Ô¤ÎÎà»÷»ï¡£¡Ø¼Ì¿¿»þÂå¡Ù¤¬¹ÓÌڷаԤò¼´¤È¤·¤Æ¤¤¤¿¤Î¤ËÂФ·¤Æ¡¢ËÜ»ï¤Ç¤Ï¿¼À¥¾»µ×(1934-2012)¤ò¥á¥¤¥ó¤Î¼Ì¿¿²È¤È¤·¤Æµ¯ÍѤ·¤Æ¤¤¤ë¡£ÁÏ´©Âè3¹æ¤Ç¤Ï»³ËÜ¿¸Ì顢ή¤·¤Î¼Ì¿¿²È¡¦ÅÏÊÕ¹î̦¡¢Àõ°æ¿µÊ¿¡¢½ê¥¸¥ç¡¼¥¸¤Ê¤ÉÅö»þ¤Î»þÂå¤Î΢¤Èɽ¤ò´¶¤¸¤ëÌÌ¡¹¡£
A similar magazine published by another company that was derived from the photo magazine "SUPER PHOTO MAGAZINE" that was selling at a momentum to drop the flying birds. Whereas "SUPER PHOTO MAGAZINE" was centered around Nobuyoshi Araki. Masahisa Fukase (1934-2012) was appointed as the main photographer in this magazine. The third issue features photographers such as Shinya Yamamoto, wandering photographer Katsumi Watanabe, Shinpei Asai, and George Tokoro, giving a glimpse into the good and bad sides of the era.
ÊÔ½¸¿Í¡§¸åÆ£¹¯Åµ
½ÐÈÇ¼Ò publisher¡§»°Ï½ÐÈÇ/Sanwa Publishing Company Ltd.
´©¹Ôǯ year¡§1984
¥Ú¡¼¥¸¿ô pages¡§146
¥µ¥¤¥º size¡§H280¡ßW206mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥½¥Õ¥È¥«¥Ð¡¼/softcover
¸À¸ì language¡§ÏÂʸ/Japanese
ÉÕ°ÉÊ attachment¡§
¾õÂÖ condition¡§·ÐǯʤߤǤ¹¡£/good.