1974ǯ¤«¤é76ǯ¤Ë¤«¤±¤ÆÅìµþ¤Ç³«¹»¤µ¤ì¤¿¡ÖWORKSHOP¼Ì¿¿³Ø¹»¡×¤Îµ¡´Ø»ïÂè6¹æ¡£¡Ö¼Ì¿¿Çä¤ê¤Þ¤¹¡×¤òÆÃ½¸¤È¤·¤Æ¡¢Åö»þ¤Î¹Ö»Õ¿Ø¤Û¤«¼Ì¿¿²È12¿Í¤Î¼«ÁªºîÉʤò°ìÅÀ»°Ëü±ß¤ÇÈÎÇ䤹¤ë¤Èɽµ¤µ¤ì¤Æ¤¤¤ë¡£ÆâÍÆ¤â¥ª¥ê¥¸¥Ê¥ë¥×¥ê¥ó¥È¤Ë¤Ä¤¤¤Æ¤Î¹Í»¡¤ä¥«¥é¡¼¼Ì¿¿¤ÎÊݸÀ¤Ë¤Ä¤¤¤Æ¡¢¤Þ¤¿¥Þ¥¤¥Ê¡¼¡¦¥Û¥ï¥¤¥È(Minor White)¤âËܽñ¤Î¤¿¤á¤Ë´ó¹Æ¤·¤Æ¤¤¤ë¡£¤³¤Î´ë²è¤Ï¤½¤Î¸å¡¢¼Ì¿¿³¦·¨¤Ç¤Ï»¿ÈÝξÏÀ¤ÎʪµÄ¤ò¾ú¤·¤¿¡£
This is the sixth issue of the journal published by the "WORKSHOP Photography School," which was held in Tokyo from 1974 to 1976. The issue features a special section titled "Photographs for Sale," announcing that 12 photographers, including the instructors at the time, were selling their selected works for 30,000 yen each. The content includes discussions on original prints and the preservation of color photographs, and Minor White also contributed an article to this publication. This project subsequently sparked controversy and mixed reactions within the photography world.
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