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In 1982—five or six years after the fall of the "Gang of Four" and the onset of China's Reform and Opening-up—two pen pals who had never met connected through a shared interest in a photography magazine. Xu Lei, a university professor, and He Bo, a soldier engaged in artistic activities in a border region, were both passionately experimenting with the then-novel technique of "self-portraiture" within their respective environments. They began exchanging self-portraits and engaging in candid correspondence about their practices and experiences. Between August and December 2016, these two avid explorers of photographic history and culture re-enacted group photographs from the 1970s and 1980s, crudely superimposing their own faces over those of the original subjects. The resulting fabricated photographs and accompanying texts were subsequently exhibited in a format resembling archival documentation, preserving traces of numerous contradictions and intentional historical fabrications. Through this project, the artists aim to draw the viewer's attention to the complicity between image and text in the process of storytelling, as well as the delicate relationship between "true history" and the visual aura of "evidence" possessed by old photographs and letters.
ËÝÌõ¡§Tang Yaxuan
¥¢¡¼¥È¥Ç¥£¥ì¥¯¥·¥ç¥ó¡§Zhen SHI
¥Ç¥¶¥¤¥ó¡§1 and 1/2 Studio
700Éôȯ¹Ô¡§Limited Edition of 700 copies
½ÐÈÇ¼Ò publisher¡§La Maison de Z
´©¹Ôǯ year¡§July 2023
¥Ú¡¼¥¸¿ô pages¡§182
¥µ¥¤¥º size¡§H26¡ßW12.5 cm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥½¥Õ¥È¥«¥Ð¡¼/softcover
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