¡ØRemember Me Like This¡Ù¤Ç¥ì¥¤¥Á¥§¥ë¡¦¥ê¥¦¤Ï¡¢²È²¼Ì¿¿¤Î¥¢¡¼¥«¥¤¥Ö¤ËΩ¤ÁÊ֤ꡢµ²±¤¬¤É¤Î¤è¤¦¤Ë·Á¤Å¤¯¤é¤ì¡¢±é½Ð¤µ¤ì¡¢¼Ì¿¿¤Ë¤è¤Ã¤ÆºÆÁϤ¤µ¤ì¤ë¤Î¤«¤òõ¤Ã¤Æ¤¤¤ë¡£¼Ì¿¿¡¢¥ª¥ë¥¿¥Ê¥Æ¥£¥Ö¡¦¥×¥í¥»¥¹¡¢¥ß¥¯¥¹¥È¥á¥Ç¥£¥¢¤ò²£ÃǤ·¤ÆÀ©ºî¤¹¤ëÈà½÷¤Ï¡¢2017ǯ¤è¤ê²È²¼Ì¿¿¤òÁǺà¤Ë¡¢µ²±¤ÈÎò»Ë¡¢¤½¤·¤ÆÉ½¾Ý¤Î¶³¦¤òÌ䤤³¤±¤Æ¤¤¿¡£Ëܺî¤Ï1940ǯÂ夫¤é70ǯÂå¤Ë¤«¤±¤ÆÃæ¹ñ¤Ç»£±Æ¤µ¤ì¤¿Çò¹õ¤Î²È²¼Ì¿¿¤ò¸µ¤Ë¤·¤Æ¤¤¤ë¡£¥ê¥¦¤ÏÁª¤ó¤À¼Ì¿¿¤ò¶ä±ö¥×¥ê¥ó¥È¤È¤·¤Æ¾Æ¤ÉÕ¤±¡¢¥¤¥ó¥¯¤ä¥¬¥Ã¥·¥å¤Ç°ìÅÀ¤º¤Ä¼êºÌ¿§¤ò»Ü¤¹¡£ÅÀÉÁ¤Î¥â¥Á¡¼¥Õ¤¬´é¤òʤ¤¤¡¢ÎسԤÏϤ餮¡¢É½Ì̤ˤϤµ¤µ¤ä¤«¤ÊÍɤ餮¤¬À¸¤Þ¤ì¤ë¡£¸Ä¿ÍŪ¤ÊµÏ¿¤Ï¡¢ÆÃÄê¤Î¿Í´ÖÀ¤è¤ê¤â·Á¤ä¿È¿¶¤ê¤Ë¤è¤Ã¤Æµ²±¤µ¤ì¤ë¥¤¥á¡¼¥¸¤Ø¤ÈÊÑÍÆ¤¹¤ë¡£¤³¤¦¤·¤¿²ðÆþ¤òÄ̤·¤Æ¡¢ºîÉʤϼ̿¿¤¬°ÕÌ£¤ò¹½ÃÛ¤¹¤ë¤ÈƱ»þ¤ËÈëÆ¿¤â¤¹¤ë¤³¤È¡¢¤½¤·¤Æ¡Ö¸«¤ë¤³¤È¡×¡Ö¸«¤é¤ì¤ë¤³¤È¡×¤Ø¤Î¿Í´ÖŪ¤ÊÍßµá¤òÀŤ«¤ËÉ⤫¤Ó¾å¤¬¤é¤»¤ë¡£Ëܽñ¤ÏÁǺശ¤ËºÙ¤ä¤¯ÇÛθ¤·¤Ê¤¬¤é¥·¥ê¡¼¥º¤òºÆ¸½¤·¡¢³¨¶ñ¤È¶ä±ö¥×¥ê¥ó¥È¤Î¤¢¤¤¤À¤ËÀ¸¤Þ¤ì¤ë¿¨³ÐŪ¤Ê¶ÛÄ¥¤òÆÉ¼Ô¤ËÂ賤µ¤»¤ë¡£
In *Remember Me Like This*, Rachel Liu revisits an archive of family photographs to explore how memory is shaped, staged, and recreated through the photographic image. Working across photography, alternative processes, and mixed media, she has—since 2017—used family snapshots as source material to interrogate the boundaries between memory, history, and representation. This body of work is based on black-and-white family photographs taken in China between the 1940s and the 1970s. Liu produces silver gelatin prints from her selected images and hand-colors each one individually using ink and gouache. Motifs of stippling obscure the faces, softening outlines and introducing subtle fluctuations to the surface. Personal records are thus transformed into images remembered more for their forms and gestures than for the specific identities of the individuals depicted. Through these interventions, the work quietly illuminates the dual nature of photography—its capacity to both construct and conceal meaning—as well as the fundamental human desire to see and be seen. This book reproduces the series with meticulous attention to materiality, allowing the reader to experience the tactile tension that arises between the paint and the silver gelatin print.
¥¢¡¼¥È¥Ç¥£¥ì¥¯¥·¥ç¥ó¡§Zhen SHI
¥Ç¥¶¥¤¥ó¡§Yinhe Cheng
500Éôȯ¹Ô¡§Limited Edition of 500 copies
½ÐÈÇ¼Ò publisher¡§La Maison de Z
´©¹Ôǯ year¡§July 2025
¥Ú¡¼¥¸¿ô pages¡§96
¥µ¥¤¥º size¡§H210¡ßW285mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥Ï¡¼¥É¥«¥Ð¡¼/hardcover
¸À¸ì language¡§±Ñʸ/English
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