Ëܽñ¤Î¤¤Ã¤«¤±¤Ï¡¢¥Ö¥ë¡¼¥¹¡¦¥¦¥§¡¼¥Ð¡¼¤¬¥ª¥ê¥ó¥Ô¥Ã¥¯Áª¼ê¤Î»£±Æ¤òǤ¤µ¤ì¤¿¤³¤È¤¬È¯Ã¼¤È¤Ê¤Ã¤Æ¤¤¤ë¡£Åö»þ½Ð¾ìÁª¼êÁ´°÷¤ò»£±Æ¤¹¤ëͽÄê¤À¤Ã¤¿¤¬¡¢·ë¶É¤½¤Î¾ì¤Ë¸½¤ì¤¿¤Î¤¬¥Ü¥¯¥·¥ó¥°¤Î¸µÁ´Êƥ饤¥Èµé¥Á¥ã¥ó¥Ô¥ª¥ó¡¢¥¢¥ó¥Ç¥£¡¦¥ß¥ó¥¹¥«¡¼(Andy Minsker)¤À¤±¤À¤Ã¤¿¤È¤¤¤¦¡£¤½¤³¤«¤éȯŸ¤·¤¿¤Î¤¬¥¦¥§¡¼¥Ð¡¼¤Î½é¤Î´ÆÆĺîÉʤǥߥ󥹥«¡¼¤ËÌ©Ã夷¤¿¥É¥¥å¥á¥ó¥¿¥ê¡¼¡¦¥Õ¥£¥ë¥à¡ØBroken Noses¡Ù¤Ç¤¢¤ê¡¢¤½¤ì¤ÈƱ»þ¿Ê¹Ô¤ÇÀ©ºî¤µ¤ì¤¿¤Î¤¬¤³¤Á¤é¤Î¡ØTHE ANDY BOOK¡Ù¤Ç¤¢¤ë¡£
The reason for this book is that Bruce Weber was entrusted with shooting the Olympic athletes. He was planning to film all the players at the time, but it was only former boxing lightweight champion Andy Minsker who appeared there. From there, Weber's first directorial work, the documentary film "Broken Noses," which was closely related to Minscar, was produced at the same time as "THE ANDY BOOK."
¥Ç¥¶¥¤¥ó¡§John Cheim
¶¨ÎÏ¡§PARCO
¥×¥í¥Ç¥å¡¼¥¹¡§C. W. J.
°õºþ¡¦À½ËÜ¡§ÆÌÈÇ°õºþ
ÊÔ½¸¶¨ÎÏ¡§¾åÅÄÀª»Ò¡¢ÎëÌÚ¹Ô(AM C.)
½ÐÈÇ¼Ò publisher¡§Æ¸±Ç¼Ò/DOEISHA
´©¹Ôǯ year¡§1987
¥Ú¡¼¥¸¿ô pages¡§
¥µ¥¤¥º size¡§H304¡ßW239mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥½¥Õ¥È¥«¥Ð¡¼/softcover
¸À¸ì language¡§±Ñʸ/ÏÂʸ-English/Japanese
ÉÕ°ÉÊ attachment¡§ÊÌ»æÆüËܸìºý»Ò/a pamphlet in Japanese
¾õÂÖ condition¡§É½»æ¾¯±ø¤ì¡£/slightly damaged on the cover.