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Collier Schorr's early work appropriated fashion magazine advertisements to raise questions of authorship and desire, bringing a female perspective to discussions of female representation. Appropriation was Shore's first medium, and it is to this medium that she ultimately returns. In "The Mirror," Schorr takes fashion imagery from her own commissions, weaves it into dialogue with her other work, and, through outtakes and clippings, questions who it is that women desire to be seen, and the power of postfeminist recognition.
Á°½ñ¤¡§Richard Prince
¥Ç¥¶¥¤¥ó¡§Collier Schorr, Matthew Kraus
½ÐÈÇ¼Ò publisher¡§MACK
´©¹Ôǯ year¡§2014
¥Ú¡¼¥¸¿ô pages¡§17 plates
¥µ¥¤¥º size¡§H318¡ßW250mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥Ï¡¼¥É¥«¥Ð¡¼/hardcover
¸À¸ì language¡§±Ñʸ/English
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