1960ǯÂå¸åȾ¤«¤é1986ǯ¤ËË´¤¯¤Ê¤ë¤Þ¤Ç¤Î´Ö¡¢¥è¡¼¥¼¥Õ¡¦¥Ü¥¤¥¹(1921-1986)¤Ï¥É¥¤¥Ä¡¦¥Ï¥¤¥Ç¥ë¥Ù¥ë¥¯¤Î½ÐÈǼҥ¨¥Ç¥£¥·¥ç¥ó¡¦¥·¥å¥Æ¥Ã¥¯¤È¶¦¤Ë¡¢100Ëç°Ê¾å¤Î¥Ý¥¹¥È¥«¡¼¥É¤Î¥Þ¥ë¥Á¥×¥ë¤òÀ©ºî¤·¤¿¡£¤½¤Î¤Û¤È¤ó¤É¤Ï»æÀ½¤À¤Ã¤¿¤¬¡¢¤³¤ì¤é¤Ï̵¹¤ºà¤È¥Õ¥§¥ë¥È¤ÇÀ½ºî¤µ¤ì¤Æ¤¤¤ë¡£¥Õ¥§¥ë¥È¡¢¥×¥é¥¹¥Á¥Ã¥¯¡¢Å´¡¢Î²²«¤È¤¤¤Ã¤¿·¿Çˤê¤ÊÁǺà¤òÍѤ¤¤¿¿ô¾¯¤Ê¤¤¥Ý¥¹¥È¥«¡¼¥É¤Î°ì¤Ä¡£Èà¤Ï¤³¤ì¤é¤ÎÁǺà¤ËÆÃÄê¤Î¾ÝħŪ¤Ê°ÕÌ£¤ò·ë¤Ó¤Ä¤±¤Æ¤¤¤¿¡£¤Þ¤¿ÌÚºà¤Ï¿Í´Ö¤È¼«Á³¤Î¤è¤êÌ©Àܤʴط¸¤òÄ󾧤¹¤ë¤È¤¤¤¦¥Ü¥¤¥¹¤Î°Õ¿Þ¤òɽ¤·¤Æ¤¤¤ë¡£É½Ì̤μ̿¿¤È΢Ì̤Îʸ¾Ï¤À¤±¤Ç¾ðÊó¤òÅÁ¤¨¤ëÄ̾ï¤Î¥Ý¥¹¥È¥«¡¼¥É¤È¤Ï°Û¤Ê¤ê¡¢¤³¤ì¤é¤Î¥Ý¥¹¥È¥«¡¼¥É¤ÏÁǺà¤Ë¤è¤Ã¤Æ¿·¤¿¤Ê°ÕÌ£¹ç¤¤¤òÅÁ¤¨¤ë¡£¤Á¤Ê¤ß¤Ë¼ÂºÝ¤Ë»ÈÍѤ¹¤ë¤È¤Ê¤ë¤È¡¢ÆüËÜÍ¹ÊØ¤Ç¤Ï½ÅÎ̤¬µ¬³Ê¤òͤ¨¤Æ¤·¤Þ¤¦¤¿¤á¥Ï¥¬¥¤È¤·¤Æ¤Ç¤Ï¤Ê¤¯Äê·Á³°Í¹ÊØÊª¤Î°·¤¤¤È¤Ê¤ë¡£
Between the late 1960s and his death in 1986, Joseph Beuys (1921-1986) produced over 100 postcard multiples with the Heidelberg-based publishing house Edition Staeck. While most of his postcards were made from paper, these were crafted from solid wood and felt. They are among the few postcards to use unconventional materials like felt, plastic, iron, and sulfur. Beuys associated these materials with specific symbolic meanings, and the wood represents Beuys's intention to advocate a closer relationship between humans and nature. Unlike regular postcards, which convey information only through a photograph on the front and text on the back, these postcards convey new meanings through their materials. Incidentally, if they were to be used, they would exceed Japan Post's weight regulations and would therefore be treated as non-standard mail.
½ÐÈÇ¼Ò publisher¡§edition staeck
´©¹Ôǯ year¡§1974, 1985
¥Õ¥ì¡¼¥à¥µ¥¤¥º frame size¡§H102¡ßW152mm, H104¡ßW148mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§silkscreen on pine and felt
¸À¸ì language¡§
¾õÂÖ condition¡§¾¯½ý¤ß¡£/slightly damaged.