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Ichiro Kojima (1924-1964), a photographer from Aomori Prefecture, the northernmost part of Honshu, continued to take photographs for about 10 years in the 1955's and died at the young age of 39. Most of the remaining photographs are based on the theme of his hometown of Aomori, and the only photo book he published during his lifetime was "Tsugaru" published by Shinchosha in 1963, and this book should be excluded when talking about Ichiro Kojima. It is known to the world as a masterpiece that cannot be done. However, after his death, the news was sudden, and he was forgotten by the photography world for more than 10 years. In the 1970s, when the momentum for re-evaluation increased, photographer Hiroshi Oshima published an essay on Kojima, which was featured in the magazine "PHOTO JAPON" in the 1980s, and in 1998, the first retrospective exhibition in his hometown of Aomori. After holding a photo book "hysteric Eleven Ichiro Kojima" published by Hysteric Glamor in 2004, and a solo exhibition at the Aomori Museum of Art in 2009, the work he left behind throughout his life matches well with modern sensibilities. I did.
This book "Tsugaru" is a reprint created based on the above Shinchosha version. The photo is Ichiro Kojima. The texts and poems were written by the novelist Yojiro Ishizaka (1900-1986) and the dialect poet Kyozo Takagi (1903-1987). The illustrations on the box are by the printmaker Junichiro Sekino (1914-1988). The box is not just glued, but stapled on the ground, and the main body is French-style and the composition is faithfully reproduced from the original at that time. Furthermore, the texture of gravure printing 50 years ago is almost similar to the current printing technology.
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