¥¤¥®¥ê¥¹¤Î½÷À¼Ì¿¿²È¡¢¥³¥ê¡¼¥Ì¡¦¥Ç¥¤(1962-2010)¤Î¼Ì¿¿½¸¡£Èà½÷¤Î»à¸å¤Ë½ÐÈǤµ¤ì¤¿½é¤Î¼Ì¿¿½¸¡£Èà½÷¤ÎÉפDZÇÁüºî²È¤Î¥Þ¡¼¥¯¡¦¥µ¡¼¥¸¡¼(Mark Szaszy)¤ä¿ÆÍ§¤Î¥¿¥é¡¦¥»¥ó¥È¡¦¥Ò¥ë¤é¤¬¡¢Ìó3ǯ¤Î¹½ÁÛ´ü´Ö¤ò·Ð¤Æ¶¦Æ±¤ÇÊÔ½¸¡£½é´ü¤Î̤ȯɽºîÉʤʤɤâ¼ýÏ¿¡£äþ;¶ÊÀÞ¤¬¤¢¤Ã¤¿¤È¤µ¤ì¤ëÊÔ½¸¹©Äø¡¢¤«¤ÄÀ½ËܤÎÉÔ¶ñ¹ç¤Ê¤É¤â¤¢¤êÂÔ¤Á¤ËÂԤä¿Û©¤¯ÉÕ¤¤Î°ìºý¡£¤ª¤Þ¤±¤Ç¥³¥ó¥¿¥¯¥È¥×¥ê¥ó¥È¤Î¥·¡¼¥È¤¬°ìËçÉÕ°¡£
Corinne Day
¥í¥ó¥É¥óÀ¾Éô¤Î¥¤¡¼¥ê¥ó¥°À¸¤Þ¤ì¡£¹ñºÝÊØ¤ÎÇÛÁ÷¶È̳¤Î»Å»ö¤ò¤·¤¿¸å¡¢Åö½é¤Ï¥Õ¥¡¥Ã¥·¥ç¥ó¥â¥Ç¥ë¤È¤·¤Æ¥¥ã¥ê¥¢¤òÀѤó¤Ç¤¤¤¯¡£¤·¤«¤·Æ±»þÂå¤Î¥â¥Ç¥ëã¤ò¸«¤Æ¡¢Èà½÷¤Ï¤½¤ÎÌ´¤òÄü¤á¤¿¡£Åö»þ¤«¤éͧ¿Í¤Ç¤â¤¢¤Ã¤¿¥â¥Ç¥ë¤¿¤Á¤äιÀè¤Ç½Ð²ñ¤Ã¤¿¿Í¡¹¤Î¼Ì¿¿¤ò»£¤ë¤¿¤á¤Ë»ý»²¤·¤Æ¤¤¤¿¥«¥á¥é¤¬¸å¤ÎÈà½÷¤Î»Å»ö¤ò·èÄê¤Å¤±¤¿¡£Í§¿Í¤Î´«¤á¤Ë¤è¤Ã¤Æ»¨»ï¡Ø¥¶¡¦¥Õ¥§¥¤¥¹¡Ù¤Ç¥Õ¥¡¥Ã¥·¥ç¥ó¼Ì¿¿¤ò¤Þ¤«¤µ¤ì¤ë¤è¤¦¤Ë¤Ê¤Ã¤¿¤Î¤¬1989ǯ¡£¤½¤·¤ÆÅö»þ¤Þ¤Ã¤¿¤¯¤Î̵̾¤À¤Ã¤¿¥±¥¤¥È¡¦¥â¥¹(Kate Moss)¤ò¼«Á³¤Êɽ¾ð¤È¥é¥Õ¤ÊÉþÁõ¤Î¥³¡¼¥Ç¥£¥Í¡¼¥È¤Ë¤è¤Ã¤Æ»ïÌ̤ò¾þ¤Ã¤¿¤³¤È¤Ç¡¢Èà½÷¤Î̾À¼¤Ï°ìµ¤¤Ë¹â¤Þ¤Ã¤¿¡£°Ê¸å¡Øi-D¡Ù¡¢¡ØRay Gun¡Ù¡¢¡ØPenthouse¡Ù¡¢¡ØVOGUE¡Ù¤Ê¤É¤Ç¥Õ¥¡¥Ã¥·¥ç¥ó¥Õ¥©¥È¥°¥é¥Õ¥¡¡¼¤È¤·¤Æ³èÌö¤¹¤ë¤â¡¢1996ǯÆÍÁ³Ç¾¤Ë¼ðá礬¸«¤Ä¤«¤êÆ®ÉÂÀ¸³è¤ò;µ·¤Ê¤¯¤µ¤ì¤ë¡£2010ǯ»àµî¡£
This is a photobook by British female photographer Corinne Day (1962-2010). It is her first photobook published after her death. It was co-edited by her husband, filmmaker Mark Szaszy, and her close friend Tara St. Hill after about three years of planning. It also includes early unpublished works. The editing process was said to have been full of twists and turns, and there were also problems with the binding, making this a long-awaited and notorious book. A sheet of contact prints is included as a bonus.
ÊÔ½¸¡§Mark Szaszy
¥Æ¥¥¹¥È¡§Glenn O'Brien
½ÐÈÇ¼Ò publisher¡§MOREL
´©¹Ôǯ year¡§2014
¥Ú¡¼¥¸¿ô pages¡§160
¥µ¥¤¥º size¡§H260¡ßW311mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥Ï¡¼¥É¥«¥Ð¡¼/hardcover
¸À¸ì language¡§±Ñʸ/English
ÉÕ°ÉÊ attachment¡§Kate Moss¤ÈFran Fox¤Î¥³¥ó¥¿¥¯¥È¥·¡¼¥È(°õºþ)/Printed contact sheet(Kate Moss & Fran Fox)
¾õÂÖ condition¡§É½»æ¥ä¥±¡£¾®¸ý¾¯±ø¤ì¡£/sunburned on the cover. slightly damaged on the fore edge.