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Miroslav Tiscy (1926-2011) was born in the Czech Republic. At the age of 19, he entered the Academy of Fine Arts in Prague. He was forced to create artwork by the Stalinist government at the time, but he refused and was imprisoned. After spending time in psychiatric hospitals, he switched from painting to photography as his means of expression. From around the 1960s, he continued to take candid photographs of women using a homemade camera made from junk and garbage, and was arrested many times, but he continued to take photographs. The turning point came in 2004, when the famous Swiss curator Harald Szeemann (1933-2005) used Tiscy's photographs at the Seville International Biennial of Contemporary Art held in Spain, which led to his work becoming known worldwide. His unique style, in which he pastes his photographs onto homemade mounts without regard for scratches, dirt, or writing, has an avant-garde quality that is unmatched by others. With his shaggy beard and tattered clothes, he would wander the streets without bathing, soaked in alcohol, and was often sent to a psychiatric hospital. A true outsider among outsiders, this book features 85 artworks and four drawings from the Museum fur Moderne Kunst in Frankfurt, which acquired his collection shortly after his work was rediscovered. You can also see two portraits of Tiscy taken by Petr Kozanek.
ÊÔ½¸¡§Anderas Bee, Susanne Gaensheimer, Udo Kittelmann
¥°¥é¥Õ¥£¥Ã¥¯¥Ç¥¶¥¤¥ó¡§Carsten Wolff, Tom Rott, Lilly Zeiler
½ÐÈÇ¼Ò publisher¡§Verlag fur moderne Kunst Nurnberg
´©¹Ôǯ year¡§2013
¥Ú¡¼¥¸¿ô pages¡§151
¥µ¥¤¥º size¡§H230¡ßW172mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥Ï¡¼¥É¥«¥Ð¡¼/hardcover
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