Åìµþ¡¦»Íë¤Ë¤¢¤Ã¤¿¼Ì¿¿ÀìÌç¤Î¼«¼ç¥®¥ã¥é¥ê¡¼¡Ö¥â¡¼¥ë(Mole)¡×¤¬¥â¡¼¥ë¼Ì¿¿¿Þ½ñ´ÛÁѽñÂè3´¬¤È¤·¤Æ´©¹Ô¡£1950ǯÂå¤Ë¼ã¤¤À¤Âå¤ÎÈþ½Ñ²È¡¢²»³Ú²È¤¿¤Á¤Ë¤è¤ë¥°¥ë¡¼¥×¡Ö¼Â¸³¹©Ë¼¡×¤Î³èư¤Ë»²²Ã¡¢¤Þ¤¿Àï¸åÆüËܤÈÈþ½Ñ¤Îʸ̮¤Ë¥°¥é¥Õ¥£¥Ã¥¯¥Ç¥¶¥¤¥ó¤È¤¤¤¦³µÇ°¤ò¿»Æ©¤µ¤»¡¢¥Ç¥¶¥¤¥ó¤È¼Ì¿¿¤Î¿·¤·¤¤Áî¹ç¤òÌܻؤ·¤¿¡Ö¥°¥é¥Õ¥£¥Ã¥¯½¸ÃÄ¡×ȯ»þ¤Î¥á¥ó¥Ð¡¼¤Ç¤â¤¢¤Ã¤¿ÂçÄÔÀ¶»Ê(1923-2001)¤Î³èư½¸¡£»¨»ïÊÔ½¸Éô°÷»þÂå¤È¤·¤Æ¥°¥é¥Ó¥¢»£±Æ¤Î»Å»ö¤ò»Ï¤á¤¿1946ǯ¤«¤é³Æ¼ï½ÐÈÇ¥á¥Ç¥£¥¢¤Ø¤Îȯɽ¤·¤¿¼Ì¿¿¡¢Ê¸¾Ï¤Ê¤ÉÁ´¤Æ¤Î¥Ç¡¼¥¿¤òǯÂå½ç¤Ë·ÇºÜ¤·¤Æ¤¤¤ë¡£¤Þ¤¿ºÆÏ¿¤Î¥Ñ¡¼¥È¤Ç¤ÏÈà¤Î³èưÎò¤ÎÃæ¤Ç¤â¥¯¥é¥¤¥Þ¥Ã¥¯¤ò¤Ê¤¹¥¢¥µ¥Ò¥«¥á¥é¤Ç¤ÎÏ¢ºÜ¡ÖÂçÄÔÀ¶»Ê¼Â¸³¼¼¡×Á´¥Ú¡¼¥¸¤ò½é½Ð»þ¤Î¤Þ¤Þ¤ÇºÆ·ÇºÜ¡¢¤µ¤é¤Ëûʸ¤Ê¤¬¤é½ÅÍ×¤ÊÆó¤Ä¤Îʸ¾Ï¤â¼ýÏ¿¡£¥Æ¥¥¹¥È¥Ù¡¼¥¹¤¬Â¿¤á¤ÎÆâÍÆ¤À¤¬¡¢»ñÎÁÀ¤Ï°Û¾ï¤Ë¹â¤¤°ìºý¡£
This is the third volume of the Mole Photo Library series published by Mole, an independent gallery specializing in photography located in Yotsuya, Tokyo. It is a collection of the activities of Kiyoji Otsuji (1923-2001), who participated in the activities of the "Jikken Kobo" group of young artists and musicians in the 1950s, and was also a member of the "Graphic Shudan" at the time of its inception, which aimed to introduce the concept of graphic design into the context of postwar Japanese commercial art and create a new synthesis of design and photography. It chronologically lists all the data, including photographs and writings published in various publishing media from 1946, when he started working as a gravure photographer as a magazine editor. In the reprint section, all pages of the "Seiji Otsuji Laboratory" serial in Asahi Camera, which was the climax of his career, are reprinted exactly as they were when it was first published, and two short but important writings are also included. Although the content is largely text-based, it is an extremely valuable resource.
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