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Bernd Becher (1931-2007) and Hilla Becher (1934-2015) met in the 1950s while studying at the Düsseldorf Art Academy. From 1959 onwards, they photographed structures such as water towers and blast furnaces left behind in Germany, using the same camera, techniques, and development methods. Their photographs are produced using a methodology called typology, and continue to influence subsequent artists and photographers. From 1976, they taught at their alma mater, the Düsseldorf Art Academy, and are known for producing numerous photographers and contemporary artists, including Thomas Ruff, Andreas Grusky, and Thomas Struth. These students are now known as the "Becher School" (Becher Schule). This book consists solely of photographs of water towers, which are reservoirs built high above ground on tower-shaped bases. The consistent tone, the repetitive angles, and the photographer's lack of individuality highlight the differences, characteristics, and inherent beauty of each water tower as industrial architecture. The text by Koji Taki, who was also deeply knowledgeable about architecture, further elevates this book to a higher level of sophistication.
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